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The audience is bifurcating. One segment wants gritty, commercial spectacle ( Maula Jatt ). The other wants arthouse realism ( Joyland, Zindagi Tamasha ). For the first time, Pakistan has room for both.
The audience is bifurcating. One segment wants gritty, commercial spectacle ( Maula Jatt ). The other wants arthouse realism ( Joyland, Zindagi Tamasha ). For the first time, Pakistan has room for both.
The audience is bifurcating. One segment wants gritty, commercial spectacle ( Maula Jatt ). The other wants arthouse realism ( Joyland, Zindagi Tamasha ). For the first time, Pakistan has room for both.
